Note: This post originally appeared in my blog about Charlottetown Harbour – Sailstrait
The plain-looking sepia-coloured postcard is cryptic to say the least. The caption simply says “Three Miles from Charlottetown” but it doesn’t say where the photo was taken. There is a pond framed by trees and a rowboat with three aboard, and strangely what appears to be a fence in the water. The card is simply one of what may have been as many as 500 different postcards depicting P.E.I. scenes that were published before the Great War. This card was from the Toronto firm of Warwick Bros & Rutter which created over 7000 postcards during the period – about 150 of which contained Prince Edward Island scenes.
We don’t know how many of the cards were published but an Island firm, Carter and Company boasted in 1907 that they had 500,000 cards in stock. Postcards had become a mania. Changes in postal regulations in the late 1890s allowed for the cards with a scene on one side and address and message on the other, and people immediately began collecting. While some of the cards were used for postal communication thousands were gathered into albums.
Unlike most of the cards from the period we know the photographer for this one. The picture was taken by William S. Louson. a travelling sales agent for a Montreal dry-goods company who lived in Charlottetown. Louson played a very important role in P.E.I. history as he was one of the leading “boosters” of the Island as a tourism destination. His images appeared in leading American and Canadian magazines and his photographs were printed on hundreds of thousands of postcards. Louson has a habit of eschewing locating his images, instead he provided titles like “Rustic Scene.” “A Morning Walk,” and “Border of the woods.”
We know who. We can imagine why. But can we determine where? There appears to be some sort of pond and my first thought was that it was one of the many creeks flowing into the rivers near the city. Several of these had been dammed to create millponds. If we look at the three mile distance from the city (or even somewhat beyond), we have Wrights (Bird Island) Creek, Gates Mills at Ellen’s Creek, Hermitage Creek and on the Southport side of the river there is the Hatchery Dam on the way to Keppoch but nothing seems to fit the topography shown in the postcard .
The penny did not drop until I had another look at my recent posting on Range Lights and looked closely at the photo below:
Here we have a lighthouse, a boat and a pond, and behind the boat what could be the rails of a fence in the water. This caused me to look much closer at the initial post card image. Although the cards are the product of two different publishers could they be taken in the same location and by the same photographer?
And then I spotted it! One tiny detail and the matter was resolved. Just above the horizon is a small dark rectangle and beneath it a barely perceptible shape that can only be a lighthouse. When you know what you are looking at you can even see a window in the building. But this lighthouse is seen from the rear and it is definitely not the same as the one in the coloured postcard. What does look suspiciously the same is the boat and also the fence line in the water. Both photos seem to be taken from the Ringwood side of the creek flowing into Warren Cove. The coloured postcard shows the rear light clearly and the sepia card positions the front range just behind the boat.
One thing that makes the photo difficult to locate is the fact that there is no pond at Warren Cove now, nor does it appear to have been one there for some time. A 1734 drawing shows a small pond behind the beach but it is not clear how long it lasted. None of the charts or maps of the area show a pond and yet it clearly exists in the photographs from about 1910. The 1935 aerial photograph of the area shows the place looking much as it does today with a small spring-fed creek barely trickling through a swampy area and seeping out onto the beach of Warren Cove. One possible interpretation is that through winter storms or some other reason the outlet for the creek became blocked, or perhaps the cottagers at the Cove dammed it up and this pond was temporarily created. That would account for the fence line which appears in the pond. Under normal water conditions a lane may have followed the edge of the creek but as the water rose it overtopped the bank and captured the fence.
So “Three Miles from Charlottetown” is not along the banks of the Hillsborough or North River but instead the scene is across the harbour just below Fort Amherst. And it is not so surprising as Rocky Point and the Fort Lot was a popular day trip for ferry excursionists – one of whom took his camera along.
Today standing at the point from which the photos were taken one is greeted by a swampy marsh and a wall of White Spruce trees which block any sight of the range lights. An area which was one of the first cleared of trees in the early settlement of the Island is reverting to the forest.
Parks Canada has elected to dismiss more than two hundred years of human habitation on this site which would have left this area cleared of trees. The early Acadians and English settlers soon used the trees on the site for fire wood and building materials and turned the land to agriculture uses. Rather than maintain the agricultural aspect of the site the balance of convenience for Parks Canada appears to have been to ignore the human history and dismiss the impact of settlers on the land.
“Three Miles from Charlottetown” is one of a series of sepia postcards published by Warwick Bros. & Rutter, mostly using images taken by W.S. Louson. For more on these cards click here.